Flowers (2023–2024)
Flowers explores vegetal forms as unstable structures, oscillating between growth and dissolution. Rather than depicting botanical subjects, the works treat the plant as a system of expansion and collapse, where color and line behave like living matter.
The images resist fixed composition: stems stretch, surfaces pulsate, and forms seem to reorganize themselves in a continuous state of becoming. What appears organic is also slightly artificial — a tension between vitality and distortion.
Revelation processes (2023)
In Revelation processes, the figure is not represented but uncovered. Faces emerge through acts of distortion, as if identity were something eroded into visibility rather than constructed.
The portraits inhabit a threshold between presence and disappearance: features slide, overlap, and fracture, suggesting that the self is neither stable nor singular, but a temporary configuration shaped by pressure, memory, and loss.
Archive
Look with closed eyes (2021–2022)
Look with Closed Eyes is a series of portraits that explores perception beyond the visible. Rendered in Bic pen on paper, the works shift attention from recognition to introspection, where closed eyes and subtle tensions transform the face into a site of inner states rather than identity.
